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a musical collaboration between

 
 

LINSEY POLLAK - Lyrebird (live looping endangered animal calls using midi wind controller)

LIZZIE O'KEEFE - Voice

 

'Dangerous Song' is a performance piece that combines the human voice with the sounds of endangered and extinct animals to create an intriguing and moving musical performance. This musical collaboration between Linsey and Lizzie has created a new musical language with structured, yet very free improvisation at it’s core. It takes us to a world of sound where the human and the animal combine. A sort of sonic morphing. Linsey plays animal calls using a midi wind controller where breath, lip pressure and fingering control real animal call samples. He uses Live looping technology to instantaneously record layers of music as he plays. Lizzie joins him weaving her voice in and out of the musical landscape of animal sounds. 

ONCE UPON A TIME ...

"Once upon a time there was a planet called Earth. During many millions of years a rich, complex and beautiful ecosystem developed with an incredible variety of lifeforms. Over time one of the animal species in this ecosystem became dominant and their impact on the planet was so massive that many of the other species could no longer survive and became extinct. We take up the story during this extinction period, but the story is not told with words, as words have fallen on too many deaf ears for too long and people have stopped listening. The story is told through sound, through the voices of the animals themselves that are endangered. These animal calls speak directly to the heart in a way that words cannot. They are joined by one lone human voice, a voice of empathy, using no words but conversing and intertwining with the calls of the animals. There is no narrative, we already know most of the story, even if we choose to ignore it and don't know the ending. So this piece is a song for the Planet, an inter-species choral work, and they're singing for their lives! If their calls don't affect you then nothing will."

3 different shows

Concert

Linsey and Lizzie perform Dangerous Song as a concert in numerous different settings, ranging from intimate house concerts to large concert halls and even in outdoor settings. They also provide a totally immersive experience to a maximum of 14 people who are wearing headphones. During these concerts Linsey and Lizzie will also talk about the specific species whose calls are used to create the music. This helps give context to the audience.

Black & Blue

Linsey and Lizzie have created two works. 'Dangerous Song - black' and 'Dangerous Song - blue'. Both these one hour performances evoke an emotional connection and response to the sometimes “hard to swallow” facts about the current Sixth Extinction Crisis, inspiring understanding, love and hopefully action. 

'Dangerous Song - black' collaborates with photographer Bonnie Jenkins, who draws inspiration from the combination of nature and the lens, exposing the wonder within to create the videos that accompany the songs. Jenny Pollak was also invited to create two of the videos. These moving images from Bonnie and Jenny are projected onto a semi transparent screen which surrounds the two performers. Andrew Meadows has designed the lighting. 'Dangerous Song - black' has enjoyed performances all around Australia in versions that include the projection and a concert version without projection but with conversation around the songs. A CD of this series was released late 2016 and is available for download at Bandcamp

'Dangerous Song - blue' received its world premiere at Woodford Folk Festival in December 2016. The work aims to connect our hearts with the planet’s heart through the combination of endangered animal calls with the human voice and stunning underwater cinematography by David Hannan (Ocean Ark Alliance). These moving images are projected onto a large aquarium like scrim where the two performers seem to be creating music from within these extraordinary underwater scenes. 'Dangerous Song - blue' provides environmental and conservation reef and ocean organisations with an inspiring and emotional tool for connecting our hearts to this important global issue.

music

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Dangerous Song - blue

by Linsey Pollak & Lizzie O'Keefe

We received funds from Creative Partnerships Australia through the Australian Cultural Fund to produce this album! Thanks again to all our supporters, this wouldn't have been possible without your goodwill. 

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Dangerous Song - black

by Linsey Pollak & Lizzie O'Keefe

The Regional Arts Development Fund (RADF) is a partnership between the Queensland Government and Sunshine Coast Council to support local arts and culture in regional Queensland. 

media

creatures of the deep

Hoo Dunnit

Oceans Nest

Critical

REVIEWS

Dangerous Song is sublime - “meditative”, “magnificent” and “sacred” were words spoken by so many. After the show, after the applause had died down, people didn’t move - a hushed reverence and feeling of transformation had taken over, and no one wanted to lose it. This is the most poignant, delicate and exceptionally beautiful work of art - a magical, empathetic, absorption into nature. Get there today if you can - this is genuinely world class. Congratulations Linsey, Lizzie, Bonnie & Jenny - this work deserves a very long and far-reaching season.
- Jacqueline Twigg
“Absolutely incredible!! So wonderful to see something so powerful, authentic and unique. It really touches my heart. Thank you so much for what you are doing.”
– Talara Blackwood (December 2016 World Premiere)
Linsey Pollak and Lizzie O’Keefe’s stunning performance is poised, professional, and powerful.
The lighting by Andrew Meadows is refined and pure. In the black box of the theatre and with both performers wearing black clothes, light shines the focus on faces and hands and instrument. It’s mesmerising. And then the eye of the whale appears as the sea and all its creatures wrap all around the performers. They appear in the midst of so many projections of macro- and micro-cosms across the elements of land and sea and sky. Bone-like, unknown micro creatures contrast with the crawling of spiders; a medicine wheel, dreamcatcher of flora slowly decomposes and then the universe of stars circles around the song; fish are replaced with the stranger beauty of plastic bags and sobs rack out across the theatre. It’s a moment of infinite sadness that is replaced by the accusing gaze of a close relative; Linsey and Lizzie’s faces are positioned in its eyes; and the performance finishes under the soundscape of the crested gibbon.
There is hope, perhaps, that such spellbinding depth and consummate sharing of this song of the earth, will change our human priorities back to a connection with this fragile world and all its inhabitants. That we might become prepared to reject the wealth of economics for the deeper richness of the many valued creatures of this planet.
- review by Tamsin Kerr (Director of Cooroora Institute)
This event was not about the musician’s or singer’s technique, though both were masterful, or the audience as mere spectators. This experience was a joint exploration of our relationship with the natural world. The power of the merging of the human and animal cries had a visceral effect on all of us. Looking around at one time I could see that many of us had closed our eyes and moved into a meditative state to live for that moment totally present to the music.
Lizzie’s pure tones and harmonics, sometimes through delicious dissonance, bridged the natural world and brought us to the heart of the disappearing life on our planet: a conduit more direct than any lecture or documentary. Linsey’s echoing and playful juggling of bird and animal cries, closely partnering with Lizzie’s vocals, connected us directly with the drama of extinction. What follows from this connection is an expansion of our consciousness around this issue.
It is amazing how many sounds stay with you: wolf, frog, cockatoo, macaw, whale, seal, gorilla. Their cries are cries for help, yet the beauty of the sound they set free in the world is a wonderful thing to be celebrated and makes their disappearance even more heart rending.
- Jude Pippen PhD - Artsworker - 25th July 2015
Honestly that was one of the most unique and beautiful shows II have ever been too. It was a true privilege to see it live and up close. This should go global!
- Sam Manger 28/2/16